Introduction. A Tale of Two Identities: Irish Images of Europe from Independence to Integration
To say that Ireland has “imagined” Europe is to acknowledge a long history of looking outward in order to look inward. Across the twentieth century, Irish writers repeatedly used European scenes, debates, and crises as sounding boards for local anxieties about nationhood, faith and secularity, gender, class, and the ethics of belonging. Europe, in this
Saltar al contenidoIntroduction. A Tale of Two Identities: Irish Images of Europe from Independence to IntegrationIntroducción. El relato de dos identidades: imágenes irlandesas de Europa desde la independencia hasta la integraciónVerónica Membrive|Lili ZáchUniversity of Almería, Spain|Eötvös Loránd University, Budapest, Hungary|16 July, 2026|ISSUE 21. 2|Pages:i-viiPDF|DOAJ|DOI 10. 24162/EI2026-15070|4views2026 by Verónica Membrive | Lili Zách | This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Belis, Andrew (1934). “Recent Irish Poetry. ”The Bookman(August): 235–36. Brown, Terence (2010). “Ireland, Modernism and the 1930s. ” InThe Literature of Ireland: Culture and Criticism, 88–103. Cambridge: Cambridge University Press. Clavin, Patricia (2005). “Defining Transnationalism. ”Contemporary European History14 (4): 421–39. ______ (2010). “Time, Manner, Place: Writing Modern European History in Global, Transnational and International Contexts. ”European History Quarterly40 (4): 624–40. Davis, Alex, and Lee M. Jenkins (2000). Locations of Literary Modernism: Region and Nation in British and American Modernist Poetry. Cambridge: Cambridge University Press. Keating, Marzena (2025Page load linkIr a Arriba